The group Icebreaker have previously done a tour where they re-interpreted songs by Brian Eno. Brian Eno shot to fame in the early 70s with the band Roxy Music, where he played synthesizer, an instrument which was in its early stage of development. Eno had previously been an art student, inspired by ‘minimalism’, an art form which is about only using the basics. Eno then went on to work with a wide variety of other bands, such as David Bowie, Talking Heads and German ambient pioneers, Cluster. After this tour, they wanted to do something similar. They chose Kraftwerk because like Eno, (in fact much more so) they were highly influential in developing electronic music, from the early 70’s and up until the present day.
On the 23rd of January Icebreaker performed at Howard Assembly Rooms in Leeds. Before the main performance, Icebreaker did their version of Terry Riley’s ‘In C’. Terry Riley was, an American minimalist composer. ‘In c’ is considered by many to be a masterpiece. The composition went through many different shades, from mellow to noisy, from joyous to dark, from hypnotic to intense. It gradually built up from a luxuriant clarinet to a climax of sound. There was a part that for some reason made me think of a giant worm coming out of the earth!
Each Kraftwerk song was performed as an avant-garde instrumental, apart from a little snippet of processed German vocals, which I believe was sampled from Kraftwerk. Each song segued into the next. The performance was for about an hour. The songs combined many eclectic sounds and influences. After a while a booming bass appeared. The drums were more for percussive effect, such as crashing symbols, rather than rhythm. They were combined with electronic drums for extra volume and bass.
Above the musicians were three large screens. The screens began showing abstract shapes and rotating wire mesh which flashed to the pulsating bass and crashing symbols. There were shots of what would normally be mundane – doors, windows, pieces of metal. Grainy black and white images of Kraftwerk’s home city of Dusseldorf, desolate streets and factories with no people. Weeds blowing in the wind, industrial chimneys blowing out thick smoke. These images could have been filmed anywhere in the Western world. Scenes that would usually have been empty and inhuman evoked emotion. The film, created by Sophie Clements and Toby Cornish, is intended to create insight into Kraftwerk’s ideas of technology and how technology affects urban and natural space. For the song ‘Autobahn’, first we were shown a car driving down a motorway, from the viewpoint of a passenger. Then, the screen showed the white lines of the road, which you would expect to be dull but was in fact rather intriguing! The bleak images contrasted with the powerful music. It would be interesting to know what Kraftwerk would think about this! I thoroughly enjoyed this performance. Much thanks goes to Howard Assembly Rooms
Members of Icebreaker: James Poke – flute, pan-pipes, WX11 wind synthesizer, bass drum, Rowland Sutherland – flute, pan-pipes, Bradley Grant – saxophone, clarinet, Dominic Saunders – keyboards, Ian Watson – accordion, Audrey Riley – electric cello, Dan Gresson – percussion, James Woodrow – guitar, bass guitar, Pete Wilson – bass guitar with J.Peter Schwalm on electronics and processing.
By Daniel Tavet